Wind River Range: August 2020

EB hikes beside upper Titcomb Lake, Bridger Wilderness, Wyoming

I was lucky enough to spend seven days backpacking in the Winds in late August. Making it back in to Titcomb Basin after 20 years was a highlight. As was being back in the Wind River Range with Erik and Rosalie three years after our first trek together there. August twenty years ago was my first backpack in the Winds. This was my fifth. I’m hoping to increase that frequency over the next twenty years.

Our route went from Elkhart Park past Senaca Lake and Island Lake to Titcomb Basin then back to the Highline Trail which we followed over Lester Pass and down to the Cook Lakes Loop. One of the highlights of the trip was hiking to Wall Lake from our camp at Upper Cook Lake. We finished our loop on the Pole Creek Trail past Eklund Lake and back past Photographers Point to Elkhart Park.

Titcomb Basin and vicinity was a zoo. The scenery is undeniable but at times the amount of traffic on the trail was noisy and annoying. We found a gorgeous campsite at the end of a string of lakes below Titcomb Lakes. When we got there there was one other group and we tried to give them a little room and still stay legal by not camping too close to the outlet stream. We turned around and two more groups had moved in, one on either side of us.

On the other side of Lester Pass we finally got a little solitude. It seemed like there were only two other groups in the entire Cook Lakes area while we were there. On two jaunts to Wall Lake, one in the evening by myself and then again in the morning with Erik, we didn’t see another soul.

I loved almost everything about this trip except the light. On day three thick smoke from distant wildfires filled the range and never fully cleared. Looking at my photos from our second evening, and my most productive landscape photo session of the trip, the air was already less than clear. This definitely forced me to concentrate on details which was not necessarily a bad thing. I’ve come home from many a trip to look at my photos and think, I wish I would have focused more on details instead of trying to get everything in the frame all the time.

Some of my favorite images of the trip and certainly the most colorful were of butterflies. There were a ton of butterflies flitting around high wildflower meadows. The Fritillaries were particularly abundant, but the California Tortoiseshells were the most approachable.

Fremont Peak reflected in a small lake below Titcomb Basin, Wind River Range, Wyoming

Infinite Inspiration

Purplish Copper (Lycaena helloides) — Purplish Copper (*Lycaena helloides*)

Wow. I can’t believe I managed to go an entire year without posting a single blog entry. In my mind I posted many. I may have had (have) some form of writers block, but it isn’t from a lack of inspiration to photograph the natural world. I may not have any blog posts to my credit in 2019, but I did make a number of memorable images. More importantly, I went deeper into some of my new favorite subjects: birds, butterflies, and dragonflies.

Spotted Sandpiper (Actitis macularia) — Spotted Sandpiper (*Actitis macularia)*

2019 was the first year I saw the difference between an eight spotted skimmer and a twelve spotted skimmer. It was actually the first year I positively identified any species of dragonfly. It was also the first year I realized there was this adorable little sandpiper high in Utah’s mountains in summer, working the edges of subalpine streams and ponds. It was also the first year I spotted the snaky orange line on the hindwing of the Purplish Copper.

In order to identify the creatures I’ve captured digitally, I’ve found a few websites to be invaluable. Utah Birds is a great website with tons of photos and info on the birds of Utah and the best birding locations in the state. Butterflies and Moths of North America is my go to site for identifying butterflies, and Odonata Central has helped me overcome my trepidation trying to differentiate species of dragonfly.

One of my favorite features of all of these sites is the ability to generate a checklist at the county level. It blew me away to learn the checklists for Salt Lake County include 346 species of birds, 122 species of butterflies, and 49 distinct species of damselflies and dragonflies.

Photographing all the species from any one of those lists would be an immense challenge. The numbers made me think, the variety of subjects right in my backyard could easily provide a lifetime of photographic inspiration. I’ll try harder this year to share some of those inspirations. Thanks for visiting jeffbeckphoto.com.

Red Butte Garden Holiday Open House & Art Fair

Not quite finished…New work for the Red Butte show.

I’m excited to be back at Red Butte Garden for the 18th Annual Holiday Open House and Art Fair, Saturday and Sunday December 1st and 2nd, 2018 from 10am to 5pm. I’ll be set up in the Orangerie, selling matted, framed, and stretched canvas prints, photo note cards, and one-of-a-kind photo transfers on paper, stone, and wood. Admission to the garden is free during the open house, so bring the whole family. Hope to see you there!

Butterflies of Red Butte Garden

Anglewing Butterfly, Red Butte Garden, Utah

My most rewarding project of 2017 was photographing butterflies at Red Butte Garden. In fact, the image above of a Satyr Comma (Polygonia satyrus) is my personal favorite photo of the year. I photographed Swallowtails, Monarchs, and Greater Fritillaries during a couple of visits to Red Butte Garden over the summer, but the real action was in November.

The weather had turned warm again after an early October cold snap. Butterflies were concentrating at Red Butte Garden to get nectar from the last prolific blooms to be found anywhere around; showy pale pink chrysanthemums and purple asters. I was able to observe and photograph ten different species of butterflies on a handful of visits in late October and early November.

Painted Lady Wing Detail, Red Butte Garden, Utah

The first Autumn butterflies I noticed were Painted Ladies (Vanessa cardui). It was the Painted Ladies loving the blue hyssop in my backyard that first put the idea of going back to Red Butte Garden to photograph butterflies in my mind. When I got there I wasn't disappointed, there were a lot of Painted Ladies. I was able to capture a number of fine images, none more exquisite than the wing detail above.

Milbert's Tortoiseshell, Red Butte Garden, Utah

I was excited by a number of the butterfly images I was able to capture last year. I can also see a lot of room for improvement and exploration, which is exciting as well. Certainly some of the little guys that aren't represented here, like Coppers, Skippers, and Blues are worthy of more attention. I'm looking forward to observing butterflies even more closely this year.

High Uintas Wilderness: Red Castle Lakes

Red Castle Lake, High Uintas Wilderness, Utah

Last Stand, High Uintas Wilderness, Utah

Mega Fauna, High Uintas Wilderness, Utah

The Classic, Lower Red Castle Lake, High Uintas Wilderness, Utah

The first week of July, I finally made it to Red Castle Lakes in Utah's High Uintas Wilderness. This place had been on my radar for at least a decade, but for whatever reason (maybe because the trailhead is two and a half to three hours from Salt Lake City) it wasn't a priority until a couple of weeks ago.

I decided to take the Bald Mountain route from the Cache trailhead. This is the most direct route into the upper Smiths Fork River drainage; only ten miles to Red Castle Lake. The Bald Mountain Trail boasts spectacular views as you skirt the east side of Bald Mountain and walk the broad ridge towards Squaw peak. The price: an immediate and steep climb and the knowledge that you'll have to climb back up to Bald Mountain after dropping into upper Smiths Fork.

The Cache trailhead start saves a mile of walking from the East Fork Blacks Fork trailhead, where there is a bridge, by fording the river. It was an inauspicious start to the trip when the first thing I did after missing the trail was fall in the river. On the bright side, I was passed the deep part when I slipped and was able to hold my shoes and socks mostly above the water as I fell.

I was impressed that my old Kelty backpack didn't let much water in and my new Kelty Ignite Dri Down bag stayed dry, as promised. Unbiased plug for Kelty brand outdoor gear. Kelty, if you're reading this, I'd be happy to review any gear you'd like to send me. ;-)

At first I didn't even realize I was off the trail. I just started following a dirt road towards the river, from the trail crossing sign on the East Fork Blacks Fork road. I didn't even see the nondescript trail cutting east just past a well used campsite maybe a hundred yards from the main road. I wasted a little bit of time and energy making my way over and around fallen timber as I cut across the mountainside, before intersecting the trail on a long steep switchback.

The rest of my hike was less eventful. Mostly just contending with jaw dropping views and infinite mosquitoes; and trying to create some images that could express some fraction of the beauty I was experiencing. Next time I backpack in to Red Castle Lakes, I'm going in September and/or I'm taking a mosquito head net. Seriously, the mosquitoes were relentless.

Red Castle, High Uintas Wilderness, Utah

Pfeifferhorn Sunrise

This image accompanied my third blog post ever, back on February 1st, 2009. It was also my second most visited post at the time I switched to the new website. Sadly I’ve lost the original text and the comments. The image is from July 2006. It’s another view from another summer, from the summit of the Pfeifferhorn, this time at sunrise.

The original text described the situation: I had come to the alpine ridge prepared to spend the night in hopes of taking advantage of two golden hour photo sessions. My intent was to spend the night on the unnamed peak just west of the Pfeifferhorn and photograph the imposing west face of the Pfeifferhorn at sunset. After about five hours of hiking with a full pack, I realized I hadn’t given myself enough time to reach that unnamed summit, and decided to stay put on top of the Pfeifferhorn to photograph the sunset.

A bit later I decided to stay put for the night. Not a great place to camp, barely enough room for one body to lie flat without being jabbed by rocks, but I didn’t want to pick my way off the summit cone by headlamp, and I did want to be able to just roll out of my one-man shelter to photograph the sunrise. It was a lousy night sleep as the wind howled and I worried about the flashes of lightning I’d seen to the west, over the Oquirrhs, before turning in.

As it turned out, the night’s weather blew in a lot of clouds which made the sunrise much more colorful than the previous night’s sunset. I was glad I had made the effort to treat myself to two edge of day photo sessions, high in the Lone Peak Wilderness. My original post had a great closing line. I wish I could remember it, something about finding unique photographic perspectives on mountain summits. The effort always seems to be rewarded.

Lone Peak from the Pfeifferhorn

Fractured granite on the Pfeifferhorn summit frames the scene to the west, towards South Thunder Mountain and Lone Peak. From this vantage point the Wasatch looks more like the Sierra Nevada, with the high headwall of Hogum Fork blocking any view of civilization a mere eight miles west. Beams of light through broken clouds add to the drama on a mid-August afternoon atop the third highest summit in Salt Lake County.

This image was originally captured on 35mm Fujichrome Velvia in 1998. Wow, I can’t believe it was that long ago!? I’ve always liked the content of this image, but the weak color of this color transparency kept me from doing anything with it, back in the day when I had cibachrome prints made from my slides at the lab, and I was still years away from publishing anything on the internet.

With the advent of the digital dark room I can give new life to images like this, images that have a certain something that keeps them out of the trash bin, but not enough interest to make it into a portfolio, often by conversion to black and white. The lack of any bright colors and the high contrast light (tamed at capture with a Singh Ray grad ND filter) made black and white conversion the obvious choice. After the initial black and white conversion I used Photoshop layer masks to lighten the foreground rock and darken the sky to give this image some oomph.